Okay Keskidee! Let Me See Inside is a love letter to the UK Caribbean diaspora, exploring black histories, physical spaces and notions of community. The site of the Keskidee Centre, a pioneering Afro-Caribbean cultural centre, is now occupied by luxury apartments. The closure of such valued spaces where people could gather and organise coincided with the rise of a political discourse which led to a lack of documentation of Black Caribbean pasts. Working on the surface of the film image itself – making use of a rostrum camera and optical printer – filmmaker Rhea Storr reflects on the histories that remain trapped in the archive and how capitalism has affected our connection to the past.

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Inside Me opens with a beautiful young actress as she wake up to an apparently idyllic Parisian romance with her boyfriend. She slowly remembers the previous night events unfolding through a series of flashbacks and flashlights revealing us how they met. But is her life so glamorous after all? Who is really hiding behind the star's mask, behind the mirror... inside her?

Keskidee, a small Jamaican bird resilient in the face of hardship, is also the name of a self-help black arts centre in London, and the theatre group who work there. Keskidee's actors and musicians were brought to New Zealand to work with communities who face similar day-to-day dilemmas and who might be encouraged to express their frustrations and anger in drama, poetry and music. Keskidee were to act as a catalyst. the film shows some of their work and their response to the people they met. Tribal elders try to show keskidee the depth of Maori roots in the land, and the complexity and pain of their present struggles: against the loss of Aroha; against the laws of pen and paper; the alienation of their land; the suppression of their language; the devaluation of their people and culture.

Each woman gets to go on three virtual dates with a man wearing a go pro strapped to his chest, so she feels like she's there but she can't see what he looks like. After the three "dates" she chooses one to continue the relationship with still sight unseen.

An American family goes on a NATO mission to Lithuania, where the teenage boy forms an indie rock band with a local child.

This film is filled with such hot fucking action that these gals cannot even catch their breath. But that is the way you like it after you watch these hotties fuck and suck their way into your heart you will not be able to catch your breath either!!! Pace yourself and breath because this is three hours of sextacular fun!

A cartoon based on a fairy tale by M. Khodakov about a school of politeness and its students — a little bear, a little piglet, and a hedgehog. The little bear and the little piglet don’t want to study at all. The magpie overheard this and told them that far beyond the ravines there is a magical forest where everyone is given pink ice cream, and whoever eats it becomes polite without having to study. The little animals set off to get the ice cream, but because of their quarrel, they took different roads...

Let Me Go is a film about mothers and daughters, it is about ghosts from the past and the impact they leave on the present. Developed from Helga Schneider's true life story, Let Me Go explores the effect on Helga's life of being abandoned by her mother, Traudi in 1941 when she was just four years old. The film is set in the year 2000 following not only Helga and Traudi's journeys but the next two generations and how Beth, Helga's daughter and Emily her granddaughter are confronted with the long-term effects of Traudi's leaving. When Helga receives a letter telling her that Traudi is close to death, it is Emily with whom Helga shares the truth. Emily volunteers to accompany her to Vienna to meet the great-grandmother she thought was dead, and experience the unraveling of the darkest of family secrets.

Rekha Ramnath, a young school girl in conflict with some of the values of her over protective parents embarks on a journey to discover who she is and find a sense of belonging wherever that may be.